REVIEWS OF EXHIBITIONS<\/b><\/p>\n
Joseph Woodard, “Leading Nowhere to Somewhere…” Charles Donelan, \u201cLabyrinths,\u201d Michael Lieberman, \u201cThe Altered Bibles of Linda Ekstrom,\u201d Leah Ollman \u201cLinda Ekstrom at Sherry Frumkin,\u201d Dan Callis and Chris Davidson, \u201cLinda Ekstrom’s Tendrils & Truck,\u201d Leah Ollman, \u201cSacred texts and the power of love,\u201d (A culture broken, bereft\u2026) Rahne Pistor, \u201cAltered bibles, tense faith central to Ekstrom\u2019s conceptual religious art,\u201d Rahne Pistor, \u201cAltered bibles, tense faith central to Ekstrom\u2019s conceptual\u2026\u201d Tahree Lane, \u201cBooks as art\u2026\u201d Shirlie Gottlieb, \u201cArtists\u2019 books draw unique perspectives,\u201d Leah Ollman, \u201cLinda Ekstrom at Frumkin\/Duval,\u201d Victoria Dalkey, \u201cEncina\u2019s \u2018Girl Talk\u2019 show offers a serious visual conversation,\u201d Limn Gallery, \u201cWrap Up! 2001,\u201d Joan Crowder, \u201cScenes from Sketchbooks,. D.J. Palladino, \u201cSketchy Truths \u2018Out of Line: Drawings and Paintings by Seven Artists,\u201d Lindsey Westbrook, \u201cTheory or Faith,\u201d Critics Choice: Art, David D.J. Rau, \u201cFaith: The Impact of Judeo-Christian Religion on Art at the Millennium,\u201d Mark Daniel Cohen, \u201cFaith: The Impact of Judeo-Christian Religion on Art at the Millennium,\u201d Charlene Roth, \u201cSanta Monica, Linda Ekstrom \u2013 Beverly Semmes,\u201d review Meridith Tromble, \u201cA Name for Everything: Genetics and Art\u201d<\/p>\n Patricia Rosoff, \u201cFaith in Art- The mystery of belief, the lure of the numinous at the Aldrich,\u201d L. P. Streitfeld, \u201c\u2019Faith\u2019 Harvests a Renaissance in Ridgefield,\u201d Matt Sedensky, \u201cFaith – The Aldrich Museum explores\u2026\u201d Frank Merkling, \u201cA New Look for Virgin Mary–bobby socks,\u201d Stephanie Ramp, \u201cTake It on Faith: The Aldrich Museum mounts\u2026\u201d Ann Wilson Lloyd, \u201cIn A New Millennium, Religion Shows Its Face\u201d Eleanor Charles, \u201cArt and Religion,\u201d Leah Ollman, \u201cLost and Remembered,\u201d Steven Jenkins, \u201c\u2018trans-\u2018 at Quotidian Gallery,\u201d Marina Walker, \u201cThe Materialization of Their Private Vision,\u201d \u201cGallegiate Report Card\u201d and \u201cGallegiate Top Ten,\u201d Michael Darling, \u201cWinners Dazzle and Beguile,\u201d Scene Claudine Is\u00e9, \u201c\u2019Reproducing Nature\u2019 at Sherry Frumkin Gallery,\u201d Susan Kandel, \u201cPanic and Lust,\u201d \u201cReproducing Nature,\u201d Joan Crowder, \u201c\u2019Score It\u2019,\u201d Joan Crowder, \u201cA Fine Sampling of Talents at Ro Snell,\u201d Judith Callander, \u201cMinor Key,\u201d David Wright, \u201cSore in Spirit; \u2018Ad Majorem Dei Gloriam\u2019 at Grace Cathedral,\u201d \u201cHas to be Artseen to be Believed,\u201d Bill Anderson, \u201cArt Attack: In Outer Space,\u201d Richard Ames, \u201cFarr Exhibit Reflects Mid-Century Americana,\u201d \u201cLinda Ekstrom in Outer Space,\u201d (Santa Barbara Contemporary Arts Forum) REVIEWS OF EXHIBITIONS Joseph Woodard, “Leading Nowhere to Somewhere…” Jane Deering Gallery Santa Barbara News Press, April 19, 2013 Josef Woodard, \u201cLeading Nowhere to Somewhere…” Charles Donelan, \u201cLabyrinths,\u201d Independent, Santa Barbara, April 17, 2013 Charles Donelan Independent 2013 Michael Lieberman, \u201cThe Altered Bibles of Linda Ekstrom,\u201d Book Patrol: A Haven for Book Culture, March 30, … Continue reading Reviews<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-214","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.lindaekstrom.com\/home\/wp-json\/wp\/v2\/pages\/214","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lindaekstrom.com\/home\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lindaekstrom.com\/home\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lindaekstrom.com\/home\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lindaekstrom.com\/home\/wp-json\/wp\/v2\/comments?post=214"}],"version-history":[{"count":0,"href":"https:\/\/www.lindaekstrom.com\/home\/wp-json\/wp\/v2\/pages\/214\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.lindaekstrom.com\/home\/wp-json\/wp\/v2\/media?parent=214"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nJane Deering Gallery Santa Barbara News Press<\/em>, April 19, 2013
\nJosef Woodard, \u201cLeading Nowhere to Somewhere…”<\/a><\/p>\n
\nIndependent, Santa Barbara<\/em>, April 17, 2013
\nCharles Donelan Independent 2013<\/a><\/p>\n
\nBook Patrol: A Haven for Book Culture<\/em>, March 30, 2012
\nhttp:\/\/209.221.137.227\/the-altered-bibles-of-linda-ekstrom\/<\/a><\/p>\n
\nBook Patrol: A Haven for Book Culture<\/em>, March 30, 2012
\nhttp:\/\/latimesblogs.latimes.com\/culturemonster\/2010\/11\/art-review-linda-ekstrom-at-sherry-frumkin.html<\/a><\/p>\n
\nMarch 21, 2011
\nhttp:\/\/visionvoicepractice.blogspot.com\/2011\/03\/linda-ekstroms-tendrils-truck.html<\/a>
\nTendrils and Trunk<\/a><\/p>\n
\nLos Angeles Times<\/em>, November 17, 2006
\nLeah Ollman LA Times review 2006<\/a><\/p>\n
\nThe Argonaut<\/em>, Santa Monica, CA, November 2, 2006
\nRayne Pistor Argonaut review 2006<\/a><\/p>\n
\nThe Argonaut<\/em>, November 2, 2006, (photos: Bird: flight of circumference; Effusion)<\/p>\n
\nThe Blade<\/em> (Toledo Ohio), November 10, 2005<\/p>\n
\nPress Telegram Long Beach<\/em>, 2004<\/p>\n
\nArt in America, May 2002, No. 5, (photo: Expanse from the Castles Series) p.158
\nhttp:\/\/connection.ebscohost.com\/c\/articles\/6787469\/linda-ekstrom-frumkin-duval<\/a><\/p>\n
\nThe Sacramento Bee<\/em>, January 27, 2002 (photo: Twined Bible)<\/p>\n
\nSan Francisco Frontiers<\/em>, December 13, 2001, Vol. 20, Issue 17 (photo: Rose Bible)<\/p>\n
\nSanta Barbara News Press<\/em>, October 8, 2001 (photo: Labyrinth)<\/p>\n
\nThe Independent<\/em>, September 27, 2001<\/p>\n
\nSan Francisco Bay Guardian, August 5, 2001 (photo: Opera Apum-Work of the Bees)<\/p>\n
\nNew Art Examiner<\/em>, June 2000<\/p>\n
\nContemporary Visual Arts<\/em>, June 2000, Issue 29<\/p>\n
\nSculpture Magazine, April 2000, Vol. 19, No. 3 (photo: Blossom)
\nGrace Glueck, \u201cCreative Souls Who Keep the Faith or Challenge its Influence,\u201d
\nThe New York Times<\/em>, April 21, 2000
\nhttp:\/\/query.nytimes.com\/gst\/fullpage.html?res=9401E0D81031F932A15757C0A9669C8B63<\/a>
\nGrace Glueck, NY Times review 2000<\/a><\/p>\n
\nThe Hartford Advocate<\/em>, March 23, 2000<\/p>\n
\nStamford Advocate<\/em>, March 2000<\/p>\n
\nConnecticut Post<\/em>, February 27, 2000<\/p>\n
\nThe News Times<\/em>, February 4, 2000<\/p>\n
\nFairfield County Weekly<\/em>, February 3, 2000<\/p>\n
\nThe New York Times<\/em>, January 23, 2000<\/p>\n
\nNew York Times<\/em>, The Guide, January 23, 2000<\/p>\n
\nLos Angeles Times<\/em>, Art Reviews November, 12, 1999 (photo: Open Wing Bible)<\/p>\n
\nArtweek<\/em>, May 1999, Vol. 3 (photo: Collaborative Drawings)<\/p>\n
\nSanta Barbara News Press<\/em>, September, 12, 1997<\/p>\n
\nCoagula<\/em>, Summer 1997, Vol. 28<\/p>\n
\nSanta Barbara News Press<\/em>, January, 6 1997 (photo: Desert\/West from Exodus series)<\/p>\n
\nArtweek<\/em>, September 1996<\/p>\n
\nLos Angeles Times<\/em>, July 18, 1996<\/p>\n
\nLos Angeles View<\/em>, July 12-18, 1996<\/p>\n
\nSanta Barbara News Press<\/em>, May 17, 1996<\/p>\n
\nSanta Barbara News Press<\/em>, February, 13, 1995<\/p>\n
\nThe Independent<\/em>, December 15, 1994<\/p>\n
\nArt Week<\/em>, May 16, 1991<\/p>\n
\nSanta Barbara News Press<\/em>, April 20, 1986<\/p>\n
\nSanta Barbara New & Review<\/em>, March 28, 1985 (photo: Minor Prophet)<\/p>\n
\nSanta Barbara News Press<\/em>, March 16, 1985<\/p>\n
\nSanta Barbara News Press<\/em>, March 9, 1985<\/p>\n","protected":false},"excerpt":{"rendered":"